Beck’s map and its successors have additionally impressed artists. David Sales space’s The Tate Gallery by Tube (1986), a poster for London Underground stations, confirmed tube traces pressed from tubes of paint; Since 1992, the Tate Trendy has proven Simon Patterson’s The Nice Bear, changing the station names with a plethora of artists, explorers, scientists, actors and writers.
Not solely artists have been impressed by the map. For generations, London schoolchildren, in an try to alleviate the monotony of their every day commute, have translated station names into overseas alternate options – with Kings Cross changing into ‘Koenigkreutz’, for instance. And lots of have managed, due to the underground map’s graphic readability, vivid colours and unparalleled Johnston font, to recollect each station on the underground community.
From video games and reminiscence arts to artworks and souvenirs, Beck’s diagram imprinted a really particular map of London within the minds of tens of millions of individuals. Greater than 80 years later, it stays the gold normal by which new Metro maps are judged.
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